The project that William Yong has undertaken with Zata Omm Dance Projects and an inspiring network of supporters is truly monumental. An experiment in sustainability of theatre (and artists), vox:lumen brings awareness to current issues of conservation in a beautiful and poignant way. The pre-show lobby is full of energy, jitters, and smiles, which […]
For the second year in a row, the aptly named “Frigid Festival” has brought frigid temperatures (and snow) to NYC. However, that did not deter me from trudging to the lower east side this past week to see a few of the innovative productions that downtown theatre has to offer. ERIK: A Play About a […]
Although Downton Abbey has been recently winning back my attention after a humdrum 4th season, I decided to watch a different period piece being performed live at the BCA during this gloomy winter season in Boston. The Huntington production of The Second Girl, written by Ronan Noone and directed by Campbell Scott, presents a look […]
The Casting In Acting Up Stage/Obsidian’s current production of Michael John LaChiusa & George C Wolfe’s gin-soaked narrative poem The Wild Party, two principal roles always or often played by white actors are being played by black actors. This one choice has dominated the majority of the conversation around the distant but moodily effective […]
An evening spent discussing quantum physics might not sound like your cup of tea. But this year marks the 70th anniversary of the Hiroshima bombing, and Michael Frayn’s play Copenhagen, about the fateful 1941 meeting of two famous physicists in Nazi-occupied Denmark, strikes a very relevant note. Porpentine Players performed this challenging and timely play, […]
The two one-act plays that make up Spiel Players’ double bill- currently playing as part of Fraser Studios’ 2015 indie season- are both new adaptations of strange, challenging work from radical French playwright Marguerite Duras. They both revel in meandering, poetic language and the pointed vagueness of their character portraits but that is where their similarities […]
There really are not enough wonderful things to say about The Object Lesson, part of the World Stage series at Harbourfront Centre. I have not seen such an enchanting piece of theatre in a long time. It’s truly a shame that its run is so short as it would offer many, I feel, the chance […]
All it takes is one well-placed, often shocking line to permanently cement a show in my mind. In Necessary Monsters, John Kuntz’s new play, I ran into that line about halfway through the two hour performance, at the pit of this nested, Russian-doll-of-a-show. An upper crust, philanthropic socialite (actually a performer in drag (Thomas Derrah) […]