Click Here for our full coverage of the 2015 SummerWorks Festival. That Syncing Feeling (A) This interactive event is really two pieces tied together by your cell phone. The first, “Tethered Together” is a celebration of communication and intimacy as participants are guided into an anonymous confessional conversation with another audience member via text message. […]
With a team of four writers, we managed to cover almost the entire theatre series at the 25th SummerWorks festival. See below for all the reviews (ranked by the grade they received). The My Theatre Favourites Discount: If your SummerWorks show scores an A+ or A, you can cash in on that goodwill with a […]
The Divine: A Play for Sarah Bernhardt was the last production I saw this year at the Shaw Festival (I’m reviewing out of order because this simply couldn’t wait). Before I saw this world premiere (four years in the making by Quebec playwright Michel Marc Bouchard and translator Linda Gaboriau), I was already considering the […]
After finding my way through the thick black curtain that marked the entrance to the Array Space theatre, I found myself in a beautiful, intimate world. A long dining table covered in academic books stood at the center of the candle-lit room. Smaller chairs and tables peppered the walls. A small bar stood in the […]
Get lost down the rabbit hole, immerse yourself in the madness and enter the freakishly wonderful world of Alice. Hidden away in the Waterloo Vaults, a beautiful and unique experience has been created as Les Enfants Terribles explore Lewis Carroll’s timeless novel. Alice’s Adventures Underground is an interactive theatrical piece consisting of a maze […]
The Iris Theatre’s Pinocchio is a show for children. That does not necessarily preclude an adult from enjoying it, but the adult in question will have to find the childish part of their brain (as long as it still exists). Pinocchio is a kid’s show because it is not layered: it does not entertain both […]
What is gained by reviving this play? That is the first question that crosses my mind each time that I attend a revival. In some cases, a show is simply beloved and that alone warrants a revival, but, for lesser known works, a director or producer’s motivation for presenting an aging play to a modern […]
Driftwood Theatre Group’s Hamlet really works. The Bard’s Bus Tour production- which just finished a short run in Withrow Park before continuing on to 16 more locations over two and a half weeks- is the third Hamlet I’ve seen in six months but it’s only the second Hamlet I’ve found myself wholly invested in. Ever (the […]