It’s been 4 years since Ins Choi’s play was presented to audiences, and it’s been 4 years that I’ve been wanting to and trying to see this show. On Sunday night, destiny prevailed over work, sickness, procrastination and tardiness and I finally saw Kim’s Convenience in its 5th remount with Soulpepper (at the Bluma Appel). […]
Morgan Lloyd Malcolm’s latest drama does not need its constant extremes—its actors are accomplished enough that they could make any scenario something exceptional. Myanna Burling and Laura Donnelly deliver realistic performances not only through the play’s dialogue, but also in spite of it. The Wasp is class conflict at its heart: the audience sees wealthy […]
Mia Chung’s original work is good at provoking feeling although it does this at the cost of character. Set in the modern day, You For Me For You is the story of two sisters, Minhee (Wendy Kweh) and Junhee (Katie Leung), the latter of whom escapes from her home country of North Korea while the […]
Anger can appear in various forms, but is it always justified? After all, most would see anger as a destructive force. Occasionally, it is so strong that it amounts to a wild outburst: this is what Penelope Skinner’s Linda is. It subjects us to the life of Linda Wilde, a middle-aged, award-winning marketing director for […]
Immersive theatrical experiences rely heavily on setting to properly integrate theatregoers into the action of the show. It is a bit like rounding up sheep for the actors and designers who need to direct the attention of patrons to specific areas of a room without confining people to chairs.* AccousticaElectronica, a theatrical experience originally developed […]
It is rare a director is so sympathetic to their chosen text; therefore, remember Liz Stevenson’s name. Too often a classic work is smothered by conservatism and theatrical brocade—this production of Barbarians is the opposite, where every direction furthers the purposes of the source. Stevenson’s interpretation is a great symbiosis of text and performance. […]
