The songs are conventional, the punchlines predictable, and the plot utterly bonkers, but there is something about Miss Atomic Bomb that ticked with me, making it quite an enjoyable, if not flawed, new musical. The show certainly has its problems and is unlikely to stand the test of time, but its charm and almost innocent […]

 

Towards the end of Daniel Karasik’s new hourlong play On Top, a Strong Female Character named Lisa remarks that we live in a wonderful time to “be free to give offence”. It’s an excellent line, as are many in On Top, a strong statement from a character so strident and self-assured that she spouts her […]

Matthew Perry is an actor that many of us are acutely aware of for his portrayal of the awkward, joke-spinning Chandler from the sitcom Friends. What people may not be aware of is that he is currently starring as the lead in a play of his own creation in the West End, presently at the […]

It is always stimulating to see drama from an area that British theatre usually does not touch. Post-apartheid South Africa is perfect center for such drama, investigating the tension between what was fought for and what is. Mongiwekhaya has used this tension to create I See You, a play that has much to say and […]

\There are times when the montage elements of The Public Servant drag on too long and a few key character threads are dropped a little carelessly but the new collaborative creation from Common Boots Theatre’s Jennifer Brewin, Haley McGee, Sarah McVie and Amy Rutherford (in association with Nightwood Theatre) is mostly a strong, clever piece […]

 

Conceived and created by The Independent Aunties, Gertrude and Alice is currently onstage at Buddies in Bad Times Theatre. Written and performed by Anna Chatterton (as Alice B. Toklas) and Evalyn Parry (as Gertrude Stein), in collaboration with dramaturg and director Karin Randoja, the script also incorporates texts written by Stein and Toklas themselves.   […]

The genie in the lamp meets his match in this operatic adaptation of Robert Louis Stevenson’s 1891 short story The Bottle Imp, a morality tale (or perhaps morality thriller) about a bottle whose magic grants limitless wishes to its owner – but with, if you can believe it, a price. A co-production of Scottish Opera […]

You Will Remember Me (Tarragon Theatre/Studio 180 Theatre) The Toronto premiere of François Archambault’s play (translated by Bobby Theodore) about a man with encroaching memory loss …