I have seen a lot of Shakespeare in parks, but I am fairly new to other theater presented outdoors. The last show I saw from Apollinaire was Cyrano de Bergerac, also in Mary O’Malley Park. Even though it was not Shakespeare, that text has a certain poetic bombast that doesn’t feel out of place when […]
“Even if I have to dig ditches for the rest of my life, I’ll be a ditch digger who once had a wonderful day” – Cornelius Hackl, the brightly optimistic heart of Stratford’s uneven but partly adorable oldschool comedy. I was highly skeptical of The Matchmaker, knowing that it would be even more dated […]
Stop. Go see this show. It’s not often that I make a frank endorsement for a show. Here it is: Three of Boston’s hottest fringe theatre companies have teamed up to bring a fantastically executed production of Naomi Iizuka’s Polaroid Stories to the Boston Center for the Arts. The Boston Actors Theater, Happy Medium Theatre, […]
Soulpepper was founded by friends. World-renowned, big-name, highly successful friends, but friends nevertheless. And to this day, Soulpepper is run by friends. You can see it when Albert Schultz knows the name of everyone in the lobby or when Derek Boyes uses his day off from You Can’t Take it With You to watch his friends perform […]
Rick Miller’s wackado Macbeth retelling, currently masquerading as a fourth Shakespeare production at the Stratford Festival, uses a comprehensive cast of voices from one of TV’s most successful crazy experiments, The Simpsons. When this silly one act was appearing at fringe and comedy festivals, or when it played at The Factory Theatre last September, it […]
Song cycles are tough. With isolated songs and vignettes, the audience glimpses briefly into the lives of the people in Jason Robert Brown’s Songs for a New World. These people are faced with that moment of decision-making, where they stand on the brink of choice and change. I find the concept really electric and intriguing. […]
Timing is everything. The Boston University College of Fine Arts showcased some astounding talent in their recent production of Assassins by musical genius Stephen Sondheim. Concluding their year-long “Keyword: Violence” festival, the CFA program explores America’s famous (and not so famous) assassins through their stories and motives, but, more importantly, the show offers a compelling […]
Michel Tremblay has mommy issues. The more of his work that I see, the more I recognize the loving but fraught tension that drives young writers to write about their mothers. In the beautiful, hopeful and inventive For the Pleasure of Seeing Her Again, Tremblay recreates his mother in exuberant, true, and positive detail. In […]