Remember those 80’s and 90’s summer vacation movies with everlasting humor? The ones with parents chilling out by the beach, acting like children, and children entering adulthood; the ones that offer escape from the monotony of everyday life shaped up by demanding careers and addictive electronics; the ones that last forever in our memories and […]
Click Here to read Part One of my Fringe 2013 saga. Fuck Shakespeare sounded like something I might like. It was about a playwright (I love stories about writers; I generally find that writers do a good job writing them- who’dathunk?) and supposedly incorporated Shakespeare somehow. That’s more than enough reason than I need to […]
The third episode of The Newsroom‘s second season mostly moved along developing plots: the Genoa tip is gaining in credibility, Maggie is preparing for her (doomed) trip to Africa, Jim is making waves on the Romney press bus, and Neal is pulling for more Occupy coverage. We also revisited Hope Davis’ gossip columnist from last […]
“You’re not special just because you got hit by lightning.” “The internet thinks I am.” It is much easier to review a show that is unequivocally bad or mind-blowingly amazing. It is the complicated show with so much potential but a final production that ultimately doesn’t work, that creates a conflict for me. I want […]
The trailer for Only God Forgives is absolutely remarkable. Stylized cinematography with a glowing rufous aura of revenge is cloaked in tension-rising techno that shadows the slow-reactions of actor Ryan Gosling. With a firm R-rating, the two-minute trailer introduces a samurai-sword-carrying-killer-cop and a mother asking her youngest son to avenge the murder of his older […]
As soon as I sat down in the Annex Theatre for my first-ever Toronto Fringe experience, I realized that I had already made my first Fringe mistake. I failed to select a seat that would allow for an easy escape. Striding across the stage in the middle of a performance in order to leave is neither a good idea […]
As a series, audiences were encouraged to view a type of Harry Morgan (James Remar) that was pure fantasy—a creation within the mind of Dexter. Upon the introduction of Dr. Vogel, we finally see actual recordings of Harry, who is a man that doesn’t have all the answers and who questions the experimental code he […]
The two most recent productions in Soulpepper’s 2013 season have been lively re-interpretations of texts that can only be described as classics. The first, Michael O’Brien and John Millard’s anachronistic take on Rossini’s The Barber of Seville, was a goofy romp-like good time and little more. The sublime pleasure of having the great Dan Chameroy […]