Scarberia (Young People’s Theatre) As the lights dimmed on Evan Placey’s coast-jumping, Shakespeare-referencing, mind-bending one-act about two sets of teenage boys tied together by a young woman who goes missing in Scarborough, Ontario and shows up in Scarborough, England, the early-high school audience began muttering that it was “too complicated” and “confusing”. It is really […]
Theatre is an art but it is also a medium through which one can express his or her opinions about certain societal realities that are oftentimes not talked about. Tonight I’ll be April does exactly that. The play brings to the stage mental health struggles and physical abuse towards men—two problems left in the dark. […]
Death. We started with death…
I was a season one Girls hater, for all the reasons why so many people stopped watching Girls after that zeitgeist-busting debut. When I try to explain to one of said people why modern day Girls is not only worth returning to but might just be one of the greatest televisual creations available to the […]
The Archivist as a title for a performance piece suggests an exploration of a reserved, organized and knowledgeable figure. It can also suggest someone with a degree of detachment from the material they are curating; when I think of archivists, I think of slightly senior employees who labour away in the bowels of an institution, […]
The best thing about John Carney’s latest musically saturated film is the music itself (some classics like Duran Duran plus quite a few originals). The plot is fairly tired (teenage misfits start a band to impress a girl) and the characters fairly conventional (troubled bad girl, disillusioned big brother) but the music, boy, the music […]
In an election year that has redefined crazy, at least the stage provides some refuge from politics. Well, at least until I found out I was seeing Primary. Et tu, theater? Et tu? Primary, written by Gracie Gardner and directed by Alex Keegan, won the annual Project Playwright Competition, where scenes from a handful of […]
Annie Baker’s The Flick is of a radical theatrical style; it is new and maybe even profound. This is lofty description but it is a rare and wonderful thing when a play’s best moments consist in the absence of dialogue. With director Sam Gold and cast, Baker creates a genuinely new mode of storytelling. Undoubtedly, […]