Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Everyone’s always in love with the soft spoken and deeply thoughtful Krystina Bojanowski. I first saw her play Juliet and, at the Toronto Fringe last summer, her character Clem in the enigmatic period piece Odd One […]
Calpurnia is a meta play written and directed by Audrey Dwyer, a black Torontonian woman, about Julie, an upper class black Torontonian woman who is writing an updated version of To Kill a Mockingbird from the perspective of the Finch-family maid Calpurnia. It is a co-production by Nightwood Theatre and Sulong Theatre companies at Buddies […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. In her review of his set at the Toronto Sketch Comedy Festival, Mary-Margaret said “Until seeing Jon Blair at Sketchfest, I was unaware that there was a void in my life. I now question if you […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. I always start these interviews with the question “do you remember your first experience with theatre” and, over the years, have heard countless tales of future actors taking their first trip to Stratford, little kids gazing […]
Declarations, a new show by celebrated Toronto Playwright Jordan Tannahill, is yet another testament to the author’s ability to present innovative, new theatre. A fascinating meeting of text and movement—of the ephemeral and what remains—Declarations is a thoughtful, evocative exploration of form, body, text and grief. “This is the thing; This is not the thing.” So begins Declarations, as […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. When Pearle Harbour walked…
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Julia Haist’s site-specific solo show at the 2017 Toronto Fringe Festival transported the audience straight back to high school, complete with assignments I was unprepared for and photocopied handouts about a book I hadn’t read (sorry, […]
In Ise Lyfe and Matt Werner’s new play Agnus, everything about 2047 feels unnervingly familiar. A soothing artificial intelligence called “Sequoyah” relays information upon command, screen-obsessed citizens are stirred into fervors by corporate media sensationalism, privately run prisons become breeding grounds for unethical behavior and the government seeks ways to control both the content and distribution […]