Onstage at Oshawa’s Regent Theatre for four days only, this thrice-postponed iteration of a homegrown cult hit is a shaky attempt at commercial theatre production with community theatre limitations. I admire Mansfield Entertainment’s concept of bringing large-format theatre to a community that could use a serious arts infusion and the professional designation should mean that […]

 

The landing page for all of our Shaw & Stratford Festival reviews from the 2022 season. Stay tuned as this page will update throughout the summer. 

Every second of this vibrant new staging of Adler & Ross’ 1955 musical comedy about a team in need of a win is packed with delight. From stage magic that rivals anything in The Cursed Child to the thrill of rooting for a new star, The Shaw Festival’s Damn Yankees is the most fun I’ve […]

Click Here for a full list of our 2022 Toronto Fringe reviews.    Clip Show (A-) Jon Blair is one of the most creative minds in Canadian comedy. His joyful, thoughtful, outlandish style is so uniquely his own that his solo shows have begun to take on an almost auteurish quality. Building out this latest […]

 

Click Here for a full list of our 2022 Toronto Fringe reviews.    2 Robs, 1 Cup: What Happens When You’re Done Eating Shit? (A) I was grateful for Fringe’s masking policy when I saw this atrociously named solo show from the ever-inspiring Vikki Velenosi. The true story opens with a voicemail so shocking that […]

Click Here for a full list of our 2022 Toronto Fringe reviews.    Unmatched (A) This clever piece presents itself at first like a pretty standard storytelling show wherein a comedian regales us with true tales of their less-than-stellar dating history. Caity Smyck is a compelling performer who connects with the audience instantly so I […]

More reviews from the Toronto Fringe Festival! Featuring Sketch T-Rex,

The term “jukebox musical” is used to describe two completely different types of productions. It’s a general label thrown onto anything that uses pre-existing songs instead of original music and is thus very often misapplied to biographical musical plays like Jersey Boys or Beautiful where all the music is diegetic. In this context, I completely […]