The Shaw Festival’s mainstage programming this year runs the full gamut from the best in the biz to completely disappointing. At the top of the heap, the most reliable man in Canadian Theatre- Crow’s Theatre artistic director Chris Abraham- takes on the ridiculous farce of One Man, Two Guvnors. It’s a nonsense script full […]
Casting is everything in Bowtie Productions’ ambitious stab at John Cameron Mitchell’s iconic rock musical Hedwig and the Angry Inch. It’s a deceptively difficult piece, the smallness of its two-actor/one-act structure placing immense pressure on the performers who have to carry exceptionally dense material with relentless energy and barely a few moments, if any, offstage. […]
Thousand Islands Playhouse in Gananoque has just about the best programming strategy I’ve seen for a small company, especially one serving a remote community without a ton of access to live theatre. Managing Artistic Director Brett Christopher smartly programs all the big fun musicals you’d expect, crowd-pleasers that never fail to slap (this season has […]
Two wild and silly musicals form the the extravagant core of an overall scaled back Stratford Festival season. Frustratingly, directorial issues mar the more substantive of the two and flimsy material limits how far the better production can soar. Something Rotten!, a 2015 Renaissance comedy by John O’Farrell and Karey & Wayne Kirkpatrick, represents […]
A light style and dark material sets the contrasting tone for the Capitol’s blockbuster musical of the summer. The Full Monty vibes like silly fun but the story is packed with simmering sadness, overwhelming stress, and dark gender norms. Striking that balance is a tricky proposition but director Julie Tomaino smartly keeps the action […]
Click Here to read all our reviews from Toronto Fringe 2024. Artificially Intelligent (A-) Anesti Danelis is one of the most consistently funny and engaging comedians in Toronto and his latest solo show is yet another reliable hit. His self deprecating charm, musical talent, and clever writing are all showcased well in this meta hour […]
Click Here to read all our reviews from Toronto Fringe 2024. Rooted: A Musical Poem (A) Ambitious, substantive, and memorable, this full-scale musical is one of the most polished pieces at the Fringe and definitely deserves a bigger run in a larger theatre. Jewelle Blackman’s book is a bittersweet and deceptively mature Giving-Tree-esque coming of age […]
Click Here to read all our reviews from Toronto Fringe 2024. Desperate Measures (A) Cameron Kneteman and Hilary Wirachowsky anchor this charming but thoughtful comedy about financial desperation with charisma and chemistry. Rachel Moore & Catherine Teichman’s script is funny but not too goofy and rooted at all turns in believable human behaviour. A fresh […]