M’dea Undone (Tapestry Opera) This world premiere one-act opera from Tapestry is smart and character-driven with a cleverly modern libretto by Marjorie Chan and superb performances from its 7-person cast, including Jacqueline Woodley as a refreshingly savvy and complex Dahlia and the brilliant Lauren Segal in the title role of the scorned wife of aspirational […]
The new musical An American in Paris is less a musical than a ballet with a few Gershwin numbers sprinkled about a dance-laden plot. “New” is also a bit of a misnomer – An American in Paris is based upon the 1951 musical film of the same name with Gene Kelly. Like most Gene Kelly […]
As I walked out of Ballad of the Burning Star Tuesday night at the Theatre Centre, I ran into a friend walking into another show (Burnish, I believe). When he asked what Ballad was about, I said, with a kind of syncopated energy: “well, it’s a devised theatre piece, but it’s also very movement based, like […]
The Bard is back on Broadway – just don’t go looking for any of his plays. No, Shakespeare is actually playing leading man in the new musical Something Rotten! playing at the beautiful St. James Theatre. Something Rotten! is a meta-musical that is just a little too cute for its own good and, ultimately, it […]
Brantwood (Sheridan College) It’s a shame that this immersive, site-specific, multi-narrative, multi-genre theatrical experience will be closing on May 3rd so that the century-old school in which it’s housed can do what it’s prophesied to do in the show (be turned into condos) and the cast can do as their characters do in the final […]
There is something universally appealing about J.M. Barrie’s ode to enduring childhood, Peter Pan, and the imaginary world of Neverland located “second to the right, and straight on till morning.”* A beloved children’s classic, my appreciation for Peter Pan started at a young age – as demonstrated by this Halloween picture from 1989 (with my […]
