Chris Behmke

Tooting Arts Club’s production of Sweeney Todd at the Barrow Street Theatre is the perfect thing to see this fall: part dark theatrical masterpiece, part haunted house. It’s the most creatively staged production of Sweeney Todd that I have ever seen: the show is set in a pie shop (with fresh pies baked by the former White House pastry […]

  Kelly Bedard

Hedwig and the Angry Inch (Hart House Theatre) The saga of Hart House musicals is full of high highs and low lows as their success fluctuates wildly depending mostly, it seems, on the popularity of their chosen show. They don’t pay their performers so, in order to lure the right talent, they have to offer […]

  Chris Behmke

Doing improv well, especially in the improv-saturated comedy scene of New York City, is a difficult task. Doing improv well with the musical sensibility to fit with improvised music is even more difficult. Rapping improv, for an hour and a half about a historical figure that no one knows that much about, often at a […]

  Kymberley Feltham

Athena Reich’s #ARTBIRTH was so unexpected, such a witty and subversive spectacle. Reich, as her pregnant Lady Gaga alter ego, drops a line early in the show warning us that this experience will transcend everything we think we know about music, theatre, and performance art… and it’s true. #ARTBIRTH is a parody, but it is […]

  Jordan Morrissey

Follies is, in one way, exactly what you might expect from a 1971 work by the noted musical dramatist Stephen Sondheim, in that it’s a true spectacle, with lyrics that bounce effortlessly off its superb score, and huge, colourful and bombastic set-pieces that leave the audience in awe. On the other hand, the latest revival […]

  Kelly Bedard

I was really hard on the Stratford productions I didn’t like this year but it was actually a pretty strong season and the things that were good were Really good. This is them.   Tartuffe Director Chris Abraham’s instinct to present classic texts in a contemporary setting is one of my top five favourite Chris […]

  Kelly Bedard

This was not my favourite season at The Shaw Festival. They had fewer bad productions than Stratford but they didn’t have as many great ones either. The best production of their season was a one-act playing sporadically at different venues, the second best a very limited run in the small studio space, then there’s a […]

  Kelly Bedard

In a really pretty strong Stratford season, these mostly good productions fell to the middle of the pack because other things were better, not because they were bad at all. These were Stratford’s mixed bag productions of the year- some polarizing (Bakkhai), some just generally medium (Romeo & Juliet) and the best recommendation I can […]