Dom Harvey

Many Shakespeare plays present an imposing barrier to entry even for educated audiences. Directors devise increasingly inventive ways to make them accessible or relevant – or at least to have their own fun and leave their own mark on the work in the guise of doing this. Othello weds a simple plot, touching on familiar […]

  Dom Harvey

Gruesome Playground Injuries is all about variations on themes. Director Chris Bretecher writes that, in following the characters through their unlikely and unlucky journey, “we acknowledge topics of mental health, sexual consent, substance abuse, self harm, and risk taking behaviours”. This is far clearer in the literature than the text: the playbill explains the production’s […]

  Steve Fisher

Be sure to check out our full list of Next Stage reviews. A Bear Awake in Winter Bullying as a topic in theatre, especially for young people, has been ascendent for the past few years. But it’s rarely examined with such nuance and even-handedness (and humour, even) as in Ali Joy Richardson’s script here. Richardson’s […]

  Thea Fitz-James

Be sure to check out our full list of Next Stage reviews. Dinner with The Duchess Meet Margaret (Allegra Fulton), a celebrated female violinist, who is retiring after decades of an illustrious career. She is being interviewed in her home by young prodigy journalist, Helen (Rosie Simon), who is intent on asking hard, smart questions. […]

  Mark Kay

Be sure to check out our full list of Next Stage reviews. Raising Stanley/Life with Tulia Raising Stanley/Life with Tulia is a multidisciplinary success of a show that brings together one-woman storytelling, video of original paintings, director narration, recorded artist interviews and music to create a sense of warm, remarkable insight to the world of […]

  Dom Harvey

Christmas cheer is descending on the city, and nowhere more than at Campbell House. The historic museum is the perfect venue for The Three Ships Collective’s adaptation of A Christmas Carol, a rare example of a site that is from the same era as the story and retains its aesthetic. Most authentic Victorian buildings are […]

  Amy Strizic

Tucked away in a tiny theatre in Parkdale, No Clowns Allowed is a success. Lighthearted in a macabre way (it definitely worked!), the show has moments of tenderness and seriousness while dealing with some difficult material. I was grateful for the thoughtful announcement before the show from the Stage Manager, informing the audience that the […]

  Mark Kay

One of the strengths of science fiction is the power it has to tackle ideas and discussions that might otherwise feel too distant for an audience, and make them feel real, visceral and approachable. From The Water is at its best when showcasing that strength, taking the audience into a deep dive into the idea […]