‘Til Death (Do Us Part), the penultimate play of the Filament Incubator’s ambitious inaugural season, is a sketch/improv/collaborative-scripted-project hybrid that’s part romantic comedy, part practical feminism manifesto, part dystopian horror story, part searing societal allegory. With its bar setting (the Monarch Tavern), intermittent improv, random dance breaks and generally casual vibe, ‘Til Death is the […]

 

Friday night, Bad Dog Theatre Company premiered the first two new formats in their fall season: Past Dark and La Grande Jatte. Because the improv company’s Bloor West theatre offers the best deal in town (see an additional show for only $5!), I stayed for the 11pm performance of fan favourite Network Notes as well. […]

Heraclitus famously opined that you can never step in the same river twice. If he spent more time attending theater than stepping into rivers, he may have said you can never attend the same improv show twice. On the Spot, an improvisational performance at the Broadway Comedy Club, produced by Nathan Armstrong and directed by […]

Be sure to check out our Full List of Fringe Reviews   Everything Else Is Sold Out (A) Dame Judy Dench– the five-person sketch troupe made up of Second City Conservatory alums Claire Farmer, Jessica Greco, Shannon Lahaie, Chris Leveille and Gavin Pounds- is one of those rare sure-bet comedy teams. Everything Else is Sold […]

Be sure to check out our Full List of Fringe Reviews   Cam Baby (A) Jessica Moss doesn’t live here anymore; she’s in New York and somehow I’m just now noticing how much I’ve missed her work in the Toronto theatre scene. Moss’ signature style of quick-witted dramedy with personal themes is shared with some […]

Be sure to check out our Full List of Fringe Reviews ‘Ze’: Queer As Fuck (B) ‘Ze’: Queer As Fuck is written and performed by Michelle Lunicke, originally from Washington, but who moved to Australia and New Zealand by way of British Columbia. The show is a staging of Lunicke’s coming out story, a long […]

Living in a post-Rob Ford era, you could be forgiven for thinking that all the jokes about Canadians can and have been made. But what Second City does, they do very well – injecting new life and hilarity into jabs at Trudeaumania, Tim Hortons, and Drake. Indeed, The Hotline Always Blings Twice showcases some of […]

I had doubts about London improv: we lack institutions (the equivalent UCBs and ImprovOlympics)…