Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Julia Haist’s site-specific solo show at the 2017 Toronto Fringe Festival transported the audience straight back to high school, complete with assignments I was unprepared for and photocopied handouts about a book I hadn’t […]
In Ise Lyfe and Matt Werner’s new play Agnus, everything about 2047 feels unnervingly familiar. A soothing artificial intelligence called “Sequoyah” relays information upon command, screen-obsessed citizens are stirred into fervors by corporate media sensationalism, privately run prisons become breeding grounds for unethical behavior and the government seeks ways to control both the content and distribution […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Mikaela Davies refuses to stay in her lane. Having focused on modern work most of her career to date, she stormed onto the Stratford Festival’s prestigious Tom Patterson stage in 2017 in the leading […]
The Theatre Centre has started 2018 off with a bang. Bears, the newest creation by Alberta Aboriginal Performing Arts and Punctuate! Theatre, is everything you could hope for in a theatre production. It is filled with surprises, twists and wonder. Floyd, played by the talented Sheldon Elter, is being hunted through the wilderness of western […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. One of the most indelible performances of the year came from a Canadian theatre legend who gave new (literal) meaning to the term “she can do it with her eyes closed”. In The Company […]
Originally written (and performed) by Dave Deveau, My Funny Valentine is a play based around the true story of a gay teen who was killed by his classmate in 2008. The narrative weaves through the surrounding community in the aftermath, and shows us the ways they are processing (or not processing) their grief, and the […]
Death and marriage are all the rage on Toronto stages at the moment with four current productions totally preoccupied with one or both. The most prominent is Groundling Theatre Company’s Lear, the young company’s best-to-date by miles. The press release for director Graham Abbey‘s well-focused production claimed that the company was presenting “Lear with […]
