Lisa McKeown

Will Eno has been described as a ‘modern Samuel Beckett,’ and after seeing Nightfall Theatrics’ production of Title and Deed currently onstage at the Tarragon Workspace, I can see why. This is a story about nothing and everything at the same time. It is the existential journey of a man who finds himself out of […]

  Kelly Bedard

Spoiler-free Review   Annie Baker is one of America’s greatest living playwrights, a master of naturalistic contemporary storytelling rife with mysterious spirituality and painfully honest but sugarless emotion. You should run to the Coal Mine just for the privilege of seeing her work, let alone seeing her work thoughtfully presented by a fantastic trio of […]

  Oliver Simmonds

I like the elephantine plays. That’s why I went to this, and because of the Tony, and because of the premise. A combo of all. What else do I have to go on? Maybe I should read scripts before applying for press tickets. Maybe. I don’t think Oslo is that elephantine, actually. And it certainly […]

  Theresa Perkins

Hospital waiting rooms are emotional places. On a daily basis, they are the scenes of both great grief and great joy as humans celebrate new life and renewed chances at life while others lament painful losses. In a Little Room, written by Pete McElligott and directed by Patrick Vassel, now playing at the Wild Project, […]

  Chelsea Dinsmore

According to old rules of etiquette, it’s impolite to discuss sex, politics, or religion at a dinner party. Theatre by Committee’s Omnium Gatherum tackles all three with gusto, throwing in privilege and culture for good measure! Believing that lively conversation is at the heart of any great dinner party, Domestic Goddess Suzie gathers an assortment […]

  Kelly Bedard

I rewrote the title of this article about four times. I worry that the one I settled on is misleading- it sounds like an old timey newspaper headline declaring that the new production from Unit 102 Actor’s Company misses the mark- but everything else I came up with was a pun or just generally stupid […]

  Kelly Bedard

There’s profundity in boredom, or at least that’s what most Waiting for Godots seem to argue. It’s an impossibly dull play to watch, purposefully so; the theatre usually has at least one groaner, one snorer and maybe a blunt high schooler or two complaining that it’ll all start again after intermission and nothing’s likely to […]

  Kelly Bedard

I was really hard on the Stratford productions I didn’t like this year but it was actually a pretty strong season and the things that were good were Really good. This is them.   Tartuffe Director Chris Abraham’s instinct to present classic texts in a contemporary setting is one of my top five favourite Chris […]