Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series.   Five years ago, I interviewed the effusive and self-effacing Sergio Di Zio for the first time. Though he’s known for his screen work (you probably know him from Flashpoint but he’s in everything), he was nominated […]

Hannah Moscovitch’s Secret Life of a Mother is a raw and compelling portrait of the darker side of motherhood – one rarely acknowledged in polite conversation, forcing the arts to shoulder the burden of challenging these long-standing taboos. Moscovitch herself is the titular mother but the lead in this one-woman (but many-women) show is Maev […]

 

Theatre Centre’s Progress Festival is one of my favourite annual festivals in Toronto. The programming is always sharp and smart, bringing cutting edge international performances to the Queen West theatre. I was only able to see a few shows in this year’s festival; this represents only a sliver of the festival’s programming. CAFÉ SARAJEVO Café […]

 

Ellie Moon’s This Was the World, now playing at The Tarragon Theatre, Extra Space, endeavours to take on the notions of white privilege and white fragility, and does so unapologetically. It is a study of Professor John Taylor (R. H. Thompson). John is not your overtly racist uncle (or aunt/brother/cousin) that makes family dinners awkward. […]

 

What do you get when you combine sharply written dialogue, deft direction and an all-star ensemble? Coal Mine Theatre’s production of Marjorie Prime. In 90 minutes, I was taken on a journey that challenged the way I perceived the world around me, my relationships and my ideals. For me, it was Nick Blais’ lighting design […]

Casimir and Caroline opens on a balcony. No…. more than that. The play opens on a balcony at a corporate office party while the heads of corporate are in fact up in the sky in a zeppelin.  Now have you ever actually really experienced a balcony at a corporate office party while the heads of corporate are […]

Coal Mine Theatre debuted with a Stephen Adly Guirgis text back in 2014 and his style of hard-hitting, emotionally complex American drama/black comedy has become something of the house style in the seasons since. Their return to the playwright isn’t as impactful as their debut with a more uneven cast and a less enthralling script but the […]

Clowning is an art. A wise woman who has spent most of her adult life performing as a both a theatre and a circus clown once told me that clowning is an impossible art to perfect because a true clown must be able to balance wearing a variety of hats all while acting the fool. […]