Kelly Bedard

Before we announce the winners of the 2015 MyTV and MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. The only 2015 performer nominated by two different branches, Christine Horne is up for both a MyTV and MyTheatre award this year for her season-stealing Guest Actress turn on the woefully cancelled Canadian medical drama Remedy and […]

  Kymberley Feltham

Hatched begins with an iconic image, Mamela Nyamza, topless and back to the audience in a long clothespin tutu, strong and statuesque, beautifully silhouetted by the artistry of lighting designer David Hlatshwayo. The dance begins with Nyamza couruing en point across the stage, her back still to the audience and still beautifully silhouetted, her clothes […]

  Kymberley Feltham

Written by Jane Taylor, directed by William Kentridge, and produced by the Handspring Puppet Theatre (War Horse), Ubu and the Truth Commission is a large scale production created by some of South Africa’s biggest names. Revived for the 2014 Grahamstown National Arts Festival in celebration of South Africa’s 20 years of democracy, Ubu and the […]

  Kymberley Feltham

On the cusp of second wave feminism and nearly a decade into Apartheid rule, Athol Fugard created a female character that would, against all odds, defy the roles society would try to force her into. Queeny, played by Masasa Mbangeni, holds the center of the action while the remaining characters orbit around her. James Ngcobo, […]

  Kymberley Feltham

A large paper scroll leads us up the stairs to the Berkeley Theatre. On the landing Mamela Nyamza is crouched on the floor, scrawling over and over “I must not have a big bum,” “I must not have a big bum”. As we continue up the stairs we can see how line-by-line the written form […]

  Amy Strizic

Australian acrobatic company Circa has livened CanStage with a refreshingly new and desperately needed contemporary circus show. Opus is 75 non-stop minutes of circus feats, but also shows the audience a new side of modern circus. It was a difficult transition, it seemed, for many patrons to adjust their pre-show anticipation into respectful awe and […]

  Kelly Bedard

Canadian Stage’s annual Shakespeare in High Park (formerly known as Dream in High Park but apparently that was too confusing) is always fun for its picnic-under-the-stars tone, even if the plays are bad. Which is important, because this year’s productions aren’t exactly good. Neither is a complete loss- both Titus Andronicus and the slightly more […]

  Melanie Hrymak

Canadian Stage’s Intermission is a new immersive event series inspired by the current programming of the company. Vol. I drew on Robert Lepage’s hit from last season, Needles and Opium, and the upcoming multi-media piece Helen Lawrence, using music and media to suggest the underground art scene of the 50s and 60s. The series seems […]