I’m a big fan of Antony Raymond whom I consider one of the city’s rising star playwrights. He creates rich unique characters with clear voices. As tensions and emotions inevitably build throughout his plays, the characters are primed to clash with each other. That said, the plot of his latest play, Apartment 301, feels undeveloped […]
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It’s hard for me to say, but this season of Game of Thrones is shaping up to be a vast improvement over its last two predecessors. Season five saw an end to some of the richer political interactions in King’s Landing, and encounters with the wildlings were, while interesting, sporadic and less gleeful. Season six […]
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Read All Our SummerWorks Reviews HERE Icône Pop (A) The scene for Icône Pop is set as the audience walks into the blackbox theatre at The Theatre Centre with singer Mykalle Bielinski crooning in the most beautiful ghostly way, and with dancer Mélanie Demers silhouetted in the doors of the studio thrown open onto Queen West, […]
Read All Our SummerWorks Reviews HERE The Only Good Indian (B+) It’s difficult to grade this solo show from Pandemic Theatre because half its runtime is just a “long table” discussion that will surely be completely different every day (the one I attended was heady and somewhat confrontational though smartly moderated by Donna-Michelle St. Bernard) […]
Click Here to read all of our coverage from 2017 San Diego Comic-Con I was sitting in a slightly overpriced, but breezy coffee shop just west of the Convention Centre, typing up my notes from Day One: “You have to be absolutely cut-throat about what you want to see and willing to sacrifice anything else […]
Read All Our SummerWorks Reviews HERE Explosions for the 21st Century (A-) My favourite SummerWorks show this year, Christopher Ross-Ewart’s philosophical and practical lecture on sound design is both an inventive theatrical presentation and a simply fascinating subject engagingly explained. With direction and dramaturgy by expert storyteller Graham Isador, Explosions for the 21st Century […]