Click Here to read Part One of my Fringe 2013 saga. Fuck Shakespeare sounded like something I might like. It was about a playwright (I love stories about writers; I generally find that writers do a good job writing them- who’dathunk?) and supposedly incorporated Shakespeare somehow. That’s more than enough reason than I need to […]
The third episode of The Newsroom‘s second season mostly moved along developing plots: the Genoa tip is gaining in credibility, Maggie is preparing for her (doomed) trip to Africa, Jim is making waves on the Romney press bus, and Neal is pulling for more Occupy coverage. We also revisited Hope Davis’ gossip columnist from last […]
There’s always at least one magnificent piece of work that just doesn’t fit into our annual awards, either because it stands head and shoulders above the rest of the work being done or because it’s simply so very different, incomparable. That’s what our yearly Honorary Awards are for. There’s one for each branch presenting awards: […]
The two most recent productions in Soulpepper’s 2013 season have been lively re-interpretations of texts that can only be described as classics. The first, Michael O’Brien and John Millard’s anachronistic take on Rossini’s The Barber of Seville, was a goofy romp-like good time and little more. The sublime pleasure of having the great Dan Chameroy […]
The second season of HBO’s loved and loathed Aaron Sorkin drama The Newsroom begins with a toned-down, piano-heavy version of last year’s rousing theme song. Instead of the reverent images of broadcast icons that accompanied last year’s intro, this year we have a slightly more abstract portrait of modern life in the trenches of Atlantis […]
We choose the winners of our regular My TV Award categories through a combination of fan, staff and editorial votes (33% each) and sometimes it works out that your favourites don’t win where they’re nominated. But we wanted to make sure they know how much you wanted them to win, thus Fan Favourite. We created this award […]
Cats may just be the most-mocked musical in the history of the world. But it’s also one of my favourites. First of all, Andrew Lloyd-Webber, once upon a time, was a uniquely magical composer capable of creations that were both lastingly beautiful and bizarrely unique. His best work will always be, and has always been, […]
