Like father, like son. There is no better way to describe Chris Lemmon’s outstanding performance in…
Before starting my review I think it is important to mention that this is a musical I already know very well and indeed am incredibly fond of. While this means I was already entering the theatre with the confidence that I would at least appreciate Peter Stone and Maury Yeston’s book and music, it also […]
Karel Capek introduced the world to the word “robot” in his 1920 play R.U.R., but it was Isaac Asimov’s on-going exploration of mechanical men, including his three laws of robotics proposed in 1942, that solidified the role of robots in science fiction history for all time.* Through a handful of novels and nearly forty short […]
Somewhere at the intersection of a contemporary art piece and a classical narrative ballet lives the National Ballet of Canada’s new production, the world premiere of the first full-length work from homegrown company star Guillaume Côté. This is a big deal. A bigger deal than is being made, I think. The National is no […]
Shakespeare can sometimes seem unapproachable to a younger audience because it is difficult to understand the language…
In the month or so leading up to Fringe, there isn’t much going on in the indie Toronto theatre scene but two Canadian-written…
For a play so intimately connected with Greek tragedy it is daring to have its protagonists’…
There’s only one more week to see The Goat, or Who is Sylvia? playing at Unit 102 Theatre, and see it you should. Leroy Street Theatre’s production is a stunning example of the excellent indie theatre scene currently flourishing in Toronto. Directed by Christ Bretecher, this staging of Edward Albee’s play about a man who […]