Friday night, Bad Dog Theatre Company premiered the first two new formats in their fall season: Past Dark and La Grande Jatte. Because the improv company’s Bloor West theatre offers the best deal in town (see an additional show for only $5!), I stayed for the 11pm performance of fan favourite Network Notes as well. […]
My parents say I was awestruck. I was young – seven years old, and it was my first musical. Cats. A flurry of feline acrobats spinning across the stage in perfect synchronization, chorusing the words of literary heavyweight T.S. Eliot in intricate makeup and patterned body suits. Of course, I was awestruck – I was […]
I have to write this review with an extra level of care. Not a fear of offence; I want get across the show’s provocative manner, after all. But I’m extra-conscious that what I’ll write will uphold some very unconscionable standards. And please don’t think I’m indulging with artificial difficulty, either. I could write in a […]
Following its sell-out premiere at the Spitalfields Music Summer Festival, Sister is the latest production from Born Mad. It’s an experimental piece, using music and vocals to delve into the many aspects of family life and, particularly, the nature of sisterhood. Its two leads, Daisy Brown and Nia Coleman, present an anthology of different memories, […]
A few years ago, Bletchley Park became a minor academic obsession of mine. After discovering the code-breaking history of this British installation, I read everything about Bletchley that I could get my hands on, from books about the history of Bletchley and its hard-working inhabitants to Alan Turing’s biography and his paper on computable numbers. […]
With such a small cast and situated within the intimate Trafalgar Studios, Vanities: The Musical relies strongly on its trio of female leads. Lauren Samuels, Ashleigh Gray and Lizzy Connolly certainly deliver deft and formidable performances as the central characters of Mary, Kathy and Joanne—a closely-knit group of friends who begin as peppy cheerleaders, only […]
All My Sons This Arthur Miller drama feels a-typical for the company that’s made its name on Shakespeare and its money on musicals. Though modern drama isn’t Stratford’s usual racket, Martha Henry’s smartly cast and emotionally wrought production might be the best thing at the festival this year (well, maybe second to Breath of Kings: […]
Second World War stories always seem to be crowd-pleasing, bringing in elements of tragedy, violence, treason and, in this case, …