What it’s Like is the first production on The Theatre Centre’s eight work Dance Card—an initiative bringing a wealth of contemporary dance to The Theatre Centre’s stage during their 2016/2017 season. What it’s Like is a co-production between The Theatre Centre and choreographer Heidi Strauss. The work was created in residency at The Theatre Centre, […]
It’s a grind to attend three hours of theatre. But grinds aren’t always bad. Sometimes, the alienation that accompanies “why I am watching this?” can induce some valuable critical distance. There are good questions to be raised about Suzan-Lori Parks’ Father Comes Home from the Wars. In the process of watching it: “why three parts?”, […]
Filament Incubator is presenting 8 plays in 8 months, creating opportunities for young playwrights to get their work on its feet and in front of an audience. The ambition of that is remarkable and, no matter the merit of any particular production in said slate, it’s an overall extremely impressive feat. It therefore pains me […]
A lot of Royal Court’s Upstairs programming is too dry for its own good. Not this. Nathaniel Martello-White’s Torn wears complexity on its sleeve. Angel arranges a circle of seats and then her family into a room, like an AA meeting, and wants to tackle the wrongs in her life. We don’t know […]
Little Night Music All I knew about A Little Night Music going in was “Send in the Clowns”, arguably the crown jewel of Sondheim’s canon. It would have been best to leave it that way. It turns out that Hugh Wheeler’s book has none of the subtle ache or bittersweet poetry of the musical’s standout […]
Taking inspiration from the many music legends who lost their lives at an early age, 27 is a brand new rock musical from debutant Sam Cassidy that, while boasting a decent original score, sadly plods its way through a particularly sub-par book that not even its undoubtedly talented cast can recover into something believable or […]
Stringberg’s 1901 work A Dream Play is historically important: its lack of structure, condensing of characters to social roles and narrative current that winds along by way of thin associations between people and places mean it was a herald of dramatic surrealism and expressionism. A dream-like tapestry that eschewed the trappings of realism that Ibsen […]
Well-executed if not a little rough around the edges, this take on the quirky self-referential [Title of Show] from SR productions is entertaining enough to provide a fun night of musical theatre on the West End’s fringe, but lacks the quality and daring direction needed to make it a complete success. As the name suggests, this mid-noughties […]