This Is The Point, a joint production of both Ahuri Theatre and The Theatre Centre, describes itself as a play about ‘love, sex and disability.’ It lives up to its description, but it’s actually about a lot more: it’s about stereotypes and reality, vulnerability, violence, relationships, communication and what it means to have a voice. […]
‘Til Death (Do Us Part), the penultimate play of the Filament Incubator’s ambitious inaugural season, is a sketch/improv/collaborative-scripted-project hybrid that’s part romantic comedy, part practical feminism manifesto, part dystopian horror story, part searing societal allegory. With its bar setting (the Monarch Tavern), intermittent improv, random dance breaks and generally casual vibe, ‘Til Death is the […]
For those in the contemporary circus scene, The 7 Fingers company (or Les 7 Doigts de le Main) hardly needs introduction. This modern Montreal-based company never lets an audience down, and has continued this trend with Mirvish onstage in Toronto. The incredibly personal and thoughtful Cuisine & Confessions thrills from the beginning, with a cheeky […]
In 1995, the suitcases of patients who once occupied the Willard Asylum between the years of 1910 and 1960 were found piled up behind a plastered-in section of the Asylum attic. Suitcases is a show created and directed by Rosanna Saracino, directly inspired by the stories of the patients to whom they belonged. The contents […]
A few years back, November was a pretty quiet month theatre-wise in Toronto, but it seems that everybody figured that out at the same time and decided to do something about it… at the same time. So now November is insane. According to the Canadian Theatre Opening Night Directory, there are 30 new shows opening […]
The beautiful geometric highrises are dark grey, crisp and askew, creating a darkly modern, if slightly nightmarish cityscape which the audience observes as we wait for Acquiesce to begin. Downstage centre, an open briefcase is slightly illuminated with a gentle tungsten spotlight from above. Then, without warning— no dimming of the lights, no audio cue— […]
Patricia Cano slays Tomson Highway’s latest work, a cabaret-play hybrid that charts a typical afternoon in the life of a Métis post office worker in Northern Ontario. Featuring a full soundtrack’s worth of songs composed and played live onstage by himself on piano and Marcus Ali on saxophone, and sung entirely by Cano, The (Post) […]
