There’s profundity in boredom, or at least that’s what most Waiting for Godots seem to argue. It’s an impossibly dull play to watch, purposefully so; the theatre usually has at least one groaner, one snorer and maybe a blunt high schooler or two complaining that it’ll all start again after intermission and nothing’s likely to […]

The 2017 Dance: made in / fait au Canada Festival was a four day biennial repertory celebration of Canadian dance, presenting a cross-section of contemporary dance makers from across the country. This year’s event featured three curated main stage series of three works each, an art installation series that included digital and virtual reality projects, […]

 

Athena Reich’s #ARTBIRTH was so unexpected, such a witty and subversive spectacle. Reich, as her pregnant Lady Gaga alter ego, drops a line early in the show warning us that this experience will transcend everything we think we know about music, theatre, and performance art… and it’s true. #ARTBIRTH is a parody, but it is […]

Party Today (Panic Tomorrow) is an apt name for The Second City Toronto’s silliest and least political mainstage show in a few cycles. There are moments when the bold political humour that made the last revue so impactful shows back up (Brandon Hackett makes a police brutality joke out of nowhere and its lack of […]

 

Sarah Marchand and Matt Jones have collaborated to write and create a theatre ASMR experience: the show incorporates elements of ASMR (in both performance and social media) while telling the story of a young woman battling insomnia and anxiety. If you haven’t heard of it, ASMR stands for Autonomous Sensory Meridian Response. It’s the soothing […]

 

I went to Two Gentlewomen of Verona by Dauntless City Theatre because it was marketed as intersectional feminism meets Shakespeare. The title alone had gender bender written all over it. Shakespeare has always been pretty cheeky about gender, considering actors in his time period were always men and many of his comedies included disguise and […]

Pippi: The Strongest Girl in the World is a high-quality children’s musical theatre treasure. Set on a stylized pirate ship, produced in association with piratelife.ca, the immersive in – the – round experience also includes a short but pleasant harbour tour. Pippi, known for living by no one’s rules but her own, invites her friends […]

 

Read All Our SummerWorks Reviews HERE Icône Pop (A) The scene for Icône Pop is set as the audience walks into the blackbox theatre at The Theatre Centre with singer Mykalle Bielinski crooning in the most beautiful ghostly way, and with dancer Mélanie Demers silhouetted in the doors of the studio thrown open onto Queen West, […]