The ever-ambitious Seven Siblings Theatre is mounting their biggest project yet- a two week festival of new work from Toronto playwrights working in the company’s chosen realm of Fantastic Realism. We caught up with Artistic Producer Madryn McCabe to get the low-down on the Future Theatre Festival before the action kicks off TONIGHT at The […]
The Palmerston Library Theatre isn’t used very often for serious theatre. With its limiting proscenium layout, casual-but-not-indie atmosphere and periodic subway-related rumblings, it’s rare to see much produced there beyond children’s theatre and staged readings despite its central location and reasonable affordability. What’s great about director/producer Ash Knight’s Tragedie of Lear– a passion project without […]
The Curious Incident of the Dog in the Night-time (National Theatre presented by Mirvish Productions) I saw the UK’s National Theatre production of The Curious Incident of the Dog in the Night-Time when it played Broadway a few years ago with the incomparable Alex Sharp in the lead role of Christopher, an autistic teenager who […]
Theatre Lab’s new musical comedy, currently onstage at the Factory Studio Theatre, can be summarized in one word: clever. The title- The Adventures of Tom Shadow- suggests a Peter Pan-type protagonist and a familiar tale of his far-flung adventures. The opening scene features the expected happy nuclear family at bedtime and, when the parents leave, Tom Shadow takes […]
Co-produced by Ahuri Theatre and Bad New Days, Flashing Lights is a story that explores the ways in which technology affects lives, and specifically our relationships. From the internet and the dissemination of information that it enables, to the screens we look at all day long, we are becoming – quite literally – cyborgs. The […]
Vikki Velenosi and Kasey Dunn are the co-founders of Brick and Mortar, an artist-run company that owns and operates three independent theatre spaces in Toronto- The Box, The Attic, and, their latest addition, The Commons. All year round, those spaces are filled with indie artists mounting new, creative, challenging work. But for 5 days in […]
Bathroom intimacy is a key part of any romantic relationship. Worst opening sentence ever? I stand by it only because Filament Incubator’s production of Becky Tanton’s How to Drown Gracefully is often just as upfront (if more elegant) about its characters’ entwined romantic and physical sufferings, and it sets the whole thing, even in scenes […]
Hedwig and the Angry Inch (Hart House Theatre) The saga of Hart House musicals is full of high highs and low lows as their success fluctuates wildly depending mostly, it seems, on the popularity of their chosen show. They don’t pay their performers so, in order to lure the right talent, they have to offer […]