The smaller space at the Crow’s Nest Theatre is a great venue for The Howland Company’s production of Punk Rock, a show that inspires both admiration on a production level and some low-burn consternation. The play starts out as an ordinary story about several teenagers in a small British town: in the first scene we […]

Thom Pain (based on nothing) (Theatre By Committee)…

Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual…

Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee…

Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series.   We’ve already heard from composer Barbara Johnston so it’s time to talk to the other half of the dynamic duo who created the wonderful faux-karaoke songs at the heart of site-specific Fringe hit Maddie’s Karaoke […]

Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series.   Sanjay Talwar returned to the Shaw Festival in 2017 to play Joe Clark in one of two premiere productions of Michael Healey’s delightful political one-act 1979. A principled, glamourless, centrist conservative whose administration lasted less than […]

 

Last Thursday I had the privilege of attending Finding Wolastoq Voice, a collaboration between playwright and composer Natalie Sappier -Samaqani Cocahq of Tobique First Nation and dancer/choreographer Aria Evans (Mi’kmaq/Black/British). Finding Wolastoq Voice is a Theatre New Brunswick Production presented by Native Earth Performing Arts as part of the Niimi’iwe: Indigenous Dance Showcase.   The […]

Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series.   A rising star in the new wave of Canadian Musical Theatre, composer Barbara Johnston is a Fringe favourite whose work has been performed on stages around the world (and remember when Alison did a musical […]