A powerful and poignant musical production from director Thom Southerland, who yet again manages to deliver an incredibly high calibre of fringe theatre. Ragtime boasts an accomplished score, intriguing story and cast and creatives who more than equal the quality of the source material. Tom Rogers and Toots Bucher’s set design is instantly striking, […]
I am not normally a fan of plays where the action moves around, with the audience moving with it. My ideal theatre experience is sitting down, quiet and comfortable. At Keffiyeh/Made in China, I am forced out of my comfort zone: to move around and interact with the space and the audience and the actors […]
If there is one subject that makes most people uncomfortable, it is that of homelessness. Rare are those who stop and speak to homeless men and women on the street, let alone go see a play about it. Although it may feel uneasy at first, Cuckoo Bang’s Choosers, written by Holly Mallett, does an excellent […]
Unless you are blessed from an early age with extreme self-awareness, patience, and unshakeable self-confidence, then your adolescence was (or is going to be) probably very fraught. It’s a period of time that upends the life you’ve lived up to that point: everything becomes more complicated, less secure, and a little more threatening. You simultaneously […]
Two short plays written by Charlie Howitt and produced by Reverend Productions, both featuring the same cast of four, the first titled Jekyll & Hyde and the second Nerve. Performed at the Greenwich Theatre. Jekyll & Hyde Taking its title from the Robert Louis Stevenson classic, the play centres around a surgeon named Ellie Jekyll […]
Dead End (Theatre Lab) This light-hearted one-act from playwright Jonny Sun and director Michael Orlando is the perfect Halloween-themed diversion in Toronto’s current sea of self-serious theatre. Sun traps bantering high school pals Christian Smith and Chris Wilson* in a dead end hallway as they flee the zombie horde that’s taken over their school, inviting […]
This site-specific historical narrative at the Gibson House in North York attempts to address the often-forgotten question of how and why exactly occupation of native land occurred. As we give thanks for the harvest and our incredible luck to live in a country like Canada, Single Thread Theatre Company reflects on what was sacrificed to […]
The opening monologue, performed off-stage and possibly prerecorded, brews the promise of a ‘neo-noir fever dream’ into a disgustingly tactical succession of phrase. Its programme says the show ‘changed from a fiction wrapped in a concert to a concert sprinkled with words.’ That’s true. There are now only two worded segments among a relentless soundscape, […]