One afternoon in 1998, the awkward 12 year-old that was me trudged home from middle school to discover a gift sitting on the table. A children’s librarian had recommended that my mother give my sister and I a copy of a brand new novel that she had read and loved. Although I had never heard […]
I went to Two Gentlewomen of Verona by Dauntless City Theatre because it was marketed as intersectional feminism meets Shakespeare. The title alone had gender bender written all over it. Shakespeare has always been pretty cheeky about gender, considering actors in his time period were always men and many of his comedies included disguise and […]
Pippi: The Strongest Girl in the World is a high-quality children’s musical theatre treasure. Set on a stylized pirate ship, produced in association with piratelife.ca, the immersive in – the – round experience also includes a short but pleasant harbour tour. Pippi, known for living by no one’s rules but her own, invites her friends […]
It is the story of the daughter of a deposed king with an eye on the throne and a determination to return to glory. A blonde-haired outsider from across the sea, managing duplicitous politics, shifting allegiances, and an army of soldiers to defend and maintain her claim to power against warring factions with claims of […]
Jason Robert Brown is one of the most well-respected composers working in musical theatre today. His credits include Songs for a New World, The Last Five Years and Parade (my personal favourite musical). In 2007, he premiered a show called 13, a musical written for a cast consisting completely of, as the name suggests, 13-year-olds. […]
I’m a big fan of Antony Raymond whom I consider one of the city’s rising star playwrights. He creates rich unique characters with clear voices. As tensions and emotions inevitably build throughout his plays, the characters are primed to clash with each other. That said, the plot of his latest play, Apartment 301, feels undeveloped […]
Read All Our SummerWorks Reviews HERE Icône Pop (A) The scene for Icône Pop is set as the audience walks into the blackbox theatre at The Theatre Centre with singer Mykalle Bielinski crooning in the most beautiful ghostly way, and with dancer Mélanie Demers silhouetted in the doors of the studio thrown open onto Queen West, […]
Read All Our SummerWorks Reviews HERE The Only Good Indian (B+) It’s difficult to grade this solo show from Pandemic Theatre because half its runtime is just a “long table” discussion that will surely be completely different every day (the one I attended was heady and somewhat confrontational though smartly moderated by Donna-Michelle St. Bernard) […]