Regeneration, just closed on Theatre Row but returning for one more performance on November 6th, is built upon what would seem to be sure-footing for interesting theatre: the high emotional stakes of a woman’s journey with breast cancer, and the life-shifting perspective that such a run-in with mortality can bring. The subject matter is emotionally interesting, […]
Daniel Pagett’s new play Cloud is about connections both human and technological. The narrative traces two sets of people…
In & Of Itself, currently playing at the Daryl Roth Theatre until the end of 2017, may be the smartest, most surprising, and most personal show that I have ever had the privilege of seeing, or more appropriately, of being a part of. Members of the audience are participants, to varying degrees, just as much […]
Fractured fairy tales. Re-imagined classics. Call them what you will but traditional fairy tales have been reincarnated again and again through various mediums. They have been parodied, merchandised by the Mouse, and transformed, often exploring themes and teaching lessons unaddressed or counter to those set forth in the source material. Gabrielle-Suzanne Barbot de Villeneuve’s Beauty […]
Director Ravi Jain’s adaptation of Salt-Water Moon distills the classic Canadian play by David French to its essence: two lovers under a star-filled sky. The story centers on the return of Jacob Mercer to Coley’s Point, Newfoundland after his abrupt departure for Toronto a year earlier. Although his old flame Mary Snow is now engaged […]
Anita Majumdar’s Fish Eyes Trilogy is an exercise in empathy, digging deep into the raw crevices of teenage desire for self-actualization. Playing at the Factory Theatre, the trilogy follows the intertwined but distinct storylines of three women as they come of age in small town BC. Layering on themes of sexism, assault, racism and oppression, […]
The Palmerston Library Theatre isn’t used very often for serious theatre. With its limiting proscenium layout, casual-but-not-indie atmosphere and periodic subway-related rumblings, it’s rare to see much produced there beyond children’s theatre and staged readings despite its central location and reasonable affordability. What’s great about director/producer Ash Knight’s Tragedie of Lear– a passion project without […]
