Inspired by the work of Yuval Harari – ‘Sapiens: A Brief History of Mankind’ (2011) – this highly engaging piece captures your imagination from the get go. The book itself discusses evolutionary theory and how the human race has developed over time, stressing the cognitive development and intelligence of the human mind compared with our […]
Coconut, a new dark comedy playing at the Ovalhouse, is a witty and moving portrayal of life in contemporary Britain for a British Muslim woman. Based on the real experiences of its writer, Guleraana Mir, the play explores what it’s like to navigate cultural expectations and romantic freedom, but in a very real and unpredictable […]
Caryl Churchill’s Love and Information, which premiered with Canadian Stage on Thursday, April 12th, is a fascination meditation on Love, Information, and the many places these two concepts meet. Under the direction of Tanja Jacobs and Allistar Newton, any production of this play is no small feat. A production has anywhere between 51 and 76 scenes and […]
Jason Robert Brown is a name that is maybe unfamiliar to the casual theatregoer, but you wouldn’t think that was the case sat in the packed London Palladium for his BBC Radio 2 concert. It is a treat in itself to have Brown in the UK, but the extra appeal of this occasion was that […]
The smaller space at the Crow’s Nest Theatre is a great venue for The Howland Company’s production of Punk Rock, a show that inspires both admiration on a production level and some low-burn consternation. The play starts out as an ordinary story about several teenagers in a small British town: in the first scene we […]
Thom Pain (based on nothing) (Theatre By Committee)…
We live in a time of burgeoning awareness of the importance of diversity in our cultural storytelling. Productions like Hamilton, movies like Black Panther, and Oscar speeches championing ‘inclusion riders’ all serve as bellwethers for proof of the commercial success and cultural value of racial and sexual diversity. And yet, as much attention is rightfully being […]
Last Thursday I had the privilege of attending Finding Wolastoq Voice, a collaboration between playwright and composer Natalie Sappier -Samaqani Cocahq of Tobique First Nation and dancer/choreographer Aria Evans (Mi’kmaq/Black/British). Finding Wolastoq Voice is a Theatre New Brunswick Production presented by Native Earth Performing Arts as part of the Niimi’iwe: Indigenous Dance Showcase. The […]