Lisa McKeown

Sarah Marchand and Matt Jones have collaborated to write and create a theatre ASMR experience: the show incorporates elements of ASMR (in both performance and social media) while telling the story of a young woman battling insomnia and anxiety. If you haven’t heard of it, ASMR stands for Autonomous Sensory Meridian Response. It’s the soothing […]

  Kelly Bedard

I was really hard on the Stratford productions I didn’t like this year but it was actually a pretty strong season and the things that were good were Really good. This is them.   Tartuffe Director Chris Abraham’s instinct to present classic texts in a contemporary setting is one of my top five favourite Chris […]

  Kelly Bedard

This was not my favourite season at The Shaw Festival. They had fewer bad productions than Stratford but they didn’t have as many great ones either. The best production of their season was a one-act playing sporadically at different venues, the second best a very limited run in the small studio space, then there’s a […]

  Kelly Bedard

In a really pretty strong Stratford season, these mostly good productions fell to the middle of the pack because other things were better, not because they were bad at all. These were Stratford’s mixed bag productions of the year- some polarizing (Bakkhai), some just generally medium (Romeo & Juliet) and the best recommendation I can […]

  Kelly Bedard

The thing to understand about the so-so list for The Shaw Festival this year is that they’re all pretty good productions; they mostly didn’t make the cut to be must-sees on account of the expectations game. All the over-promoted stuff of the year is on this list, the things that promised to be (had the […]

  Kelly Bedard

I promise everything gets better from here. Please keep in mind that I refuse to pull punches so you can believe me when I tell you you really should see the other stuff. Warning: brutality ahead. Twelfth Night I consider Twelfth Night to be Shakespeare’s most perfect text. That’s not to say it’s my favourite […]

  Kelly Bedard

Though little stood too far above the pack this year at the Shaw Festival (“so-so” really carried the season over there), it’s remarkable that there’s only one show I think you ought to skip if you can. 1837: The Farmers’ Revolt This dully written and even more dully directed Canadian history play is a true […]

  Adam Mcdonnell

Late Night, tell-it-how-it-is radio — a premise with the potential for shocking, humorous and meaningful dialogue, but Eric Bogosian’s play lacks depth and originality, with this production feeling in turns forced and unnatural. Barry has risen to fame due to the success of his listener phone-in show, and we join him along with his production […]