The proof is in the pudding is a strangely apt synopsis of The Art of Degeneration, a solo show by Louis Laberge-Côté. Why so? Because the climax of the show is him dipping his hands in chocolate pudding and smearing it all over this body. But here is the crazy part: it is absolutely appropriate […]
Secret Life of a Mother at the Theatre Centre is a stunning exploration of the raw, invisible, and gritty realities of two women’s experiences of parenthood. Created by Hannah Moscovitch, Maev Beaty, Ann-Marie Kerr, and Marinda de Beer, the narrative centres on Moscovitch’s early experiences with motherhood, performed as a solo show by Beaty. The […]
The current political climate has stirred many a playwright to tackle political themes and motifs in indie theater productions, and Vincent Delaney’s The War Party seems sprung from the brutal politics playing out on the American landscape and the politicians wielding words as weapons to the detriment the country as a whole. Presenting a play about a […]
It is one of the cultural responsibilities of art and entertainment to reflect on and help us make some sense of current events and contemporary trends shaping our cultural discourse. Recently, the expansive world of independent theatre in New York City has certainly stepped up to do its job in this; producing an expansive array […]
The audience is silent and still. A dim light contours a man in boxing gloves and shorts, his slightly bent head and shoulders gleaming with sweat. There is a ripple of anticipation as he takes a deep breath, lifting gloved fists — in that moment, the figure is both the bow drawn taut and the […]
Exploring the distance between what appears to be true and what actually is, Dancing at Lughnasa is a bittersweet memory play about five sisters in depression-era Donegal. Set in 1936, when Michael is just seven years old, the play juxtaposes Michael’s overwhelmingly positive memories of the last summer his family spent together with his adult self’s reflection […]
As part of the Fall 2018 programme, the Lower Ossington Theatre has mounted The Producers! Any chance to see this show in any form should be taken – totally hilarious, pithy, and self-referential, it’s a wonderful show for those well versed in Musical Theatre. However, the nature of the show itself is also great for […]
Ruffles, or a Progression of Rakes, running at The Tank, aims to give some commentary and meditation on power, wealth, status, and its effects on morality, empathy, and the extent of one’s personal responsibility in how one’s behavior affects others. The play seems to aim at being a medieval “Wolf of Wall Street” as seen […]