Bright, wondrous, and bubbly, Seussical, is an odd little show, but one that is filled with positivity and happiness. This enthusiastic group of performers throw everything at the production, and I’d challenge anyone to leave the theatre without a massive grin on their face. Littered with playful and uplifting songs, the musical mixes a number […]
Have you ever thought back to some of the most difficult times in your own life, wishing that you could go back in time to reassure yourself that everything would turn out okay, if only we knew what unexpected events would come to reshape our lives? The Other Josh Cohen, running Off-Broadway at the Westside Theatre […]
What I Call Her is a new play written by Ellie Moon and performed in partnership with Crow’s Theatre. Opening night was a great success, filled with the thrill and jitter of any new performance. Audience members greeted each other, proud parents beamed, and we all admired the wonderfully designed set. I don’t think I’ve […]
This Crow’s remount of the 2017 Shaw production of Will Eno’s Middletown, is the story of a generic town, equidistant from its neighbouring towns, with a stable population, elevation, not too big, not too small. This is, not surprisingly, a kind of metaphor, and the play is less about a grand narrative than it is an […]
That’s right, I’m talking about Mirvish’s Charlie and the Chocolate Factory musical and Tarragon’s Marshall McLuhan one-act in one article. They’re both terrible- dull, simplistic, varying degrees of ridiculous- and they’re playing in Toronto at the same time, but the two have more in common than just ruining my Wednesday nights. In Jason Sherman’s The […]
Scorch, Stacey Gregg’s award-winning play about one teen’s struggle with gender identity and the legal system, is ‘based on a true story’. Beneath that lifeless description Scorch’s real power is in telling the true stories of a larger family of people, who find their right to write their own story under attack, without claiming to […]
With a stellar, impassioned cast, Hamlet(s) should not be missed. Only playing until Nov 24th…
With new theatre, it is sometimes tricky to differentiate between what comes from the original writing and from the production you are viewing. After all, such an early incarnation of a musical will have very few, if any, comparisons by which the production itself can be directly judged. With Hadestown, the two are even more […]