The Book of Mormon has returned to Toronto, and thank Heavenly Father it has! A hit since the beginning, the show has traveled to Toronto a few times and always packs an audience in. The deliciously sacrilegious show first opened in 2011 after years of development. It still feels fresh and poignant, with some interpreted […]
Award-winning comedian Ian McIntyre blends the relatable and the absurd in his new revue, The Rise and Fall of Dataman, running for two nights at The Bad Dog Theatre. In a series of sketches, directed by Kirsten Rasmussen, he recounts life as a 9-5 paper pusher with an exuberance and expressiveness that contrast sharply with […]
If you want drunken debauchery, raucous theatrics, or just a good old street fight, Sterling Road isn’t your first destination. That changed this week as Angela’s Murdoch’s 1855 Toronto Circus Riot dramatizes the bizarre brawl in 1855 that marked a unique episode in the young city’s history and led to major changes in its law enforcement. […]
The Bad Dog Theatre Company performed their annual comedy festival, COMBUSTIONfestival, from May 27-June 1, to great success and lots of laughs. The festival is a “week-long comedy party” that brings comedic groups and pairs from throughout North America to join together in learning and laughing. Continuing along the path of what the company stands […]
After having some time to digest 1991, I don’t think it would be right to say I enjoyed it. Instead, I will say I was affected by it, moved by it and am haunted by it. 1991, is Cole Lewis’ brutally honest coming of age story. There are many intense subjects that this show deals […]
It can take a good family to show you what a bad one truly looks like. The team at Soulpepper brings tremendous verve to Tracy Letts’ August: Osage County, doing its best with an endless and endlessly ambitious script. August takes familiar tales and tropes of family dysfunction and weaves them into a three hour […]
I have been thinking about AVO Collective’s 11:11 for the last couple of days. I have been thinking about the openness and fearlessness that Samson Bonkeabantu Brown demonstrates in both his writing and performance as part of Why Not Theatre’s 2019 RISER Project at the Theatre Centre. I have been thinking about how d’bi.young anitafrika deftly […]
