Michel Marc Bouchard’s classic play Lilies (Les Feluettes) was made into one of the most beautiful Canadian films in the 90s, and more recently an opera (2016, Opéra de Montréal) that has been described as containing an “uncommon dramatic intensity.” This latest staged adaptation Lilies; Or, The Revival of a Romantic Drama, unfortunately, misses that […]
What caught my attention for Tarragon Theatre’s performance of OLD STOCK: A Refugee Love Story was Ben Caplan. I read that he did the music for the show, and immediately knew I would give it a try. Caplan, a Halifax native, has been on my musical radar for years, ever since I heard “Stranger”, from […]
Wendell Pierce gives an astonishing performance in this enthralling revival of the Arthur Miller classic. With a fantastic supporting cast, Marianne Elliot and Miranda Cromwell’s latest joint venture is an absolute triumph with acting at its absolute finest. This new take on Death of a Salesman keeps the location and timings as originally written. The […]
Looking at the programme before the start of The Musical Stage Co’s production of Brian Yorkie & Tom Kitt’s domestic rock drama Next To Normal, it’s hard to miss the design inspiration taken from The Brady Bunch’s opening title credits. But that familiar imagery sets up expectations Next to Normal is quick to knock down. The […]
Hand to God is a really fucking weird play. Excuse the language but there’s really no other way to fully get the point across. This is some weird shit. Playwright Robert Askins has crafted a pastel-coloured Southern Gothic puppet show about demonic possession and religious hypocrisy that’s also a pointed mental health allegory and a […]
Several cast members made their mainstage Canadian Opera Company…
In the play OUT, first produced at the 2016 Toronto Fringe Festival, writer-performer Greg Campbell takes us on a personal walk in 1977 Montreal, channelling his autobiography through Glen as he slowly comes out, amidst the unfolding gay liberation movements across North America. It’s captivating to see a story rooted in a time when “gay” […]
Theatre company Shakespeare BASH’d “is an actor initiative that… produces Shakespeare’s plays in social settings”, “with simple staging, clear and sympathetic language, and an emphasis on the text and actors telling the story”. (This is all cribbed from their program.) They stage their work in pubs and bars, in the round, and have progressively gotten […]