I’ve always liked to believe you can tell a fine play by its title. In this case, playwright Jordi Mand has ingeniously chosen a seemingly ordinary one which, in actuality, alludes to the electrifying secret that propels the story forward in this head-to-head dispute between Marion (Susan Coyne) and Teresa (Christine Horne) about what really […]
Cymbeline is the production I’d been waiting to see in Stratford all season. It’s really good Shakespeare. That’s what Stratford does- really good Shakespeare- and I think it’s telling that most of the really good productions this year aren’t that. There are quite a few good musicals, one decent Shakespeare, and one that’s close to […]
Stratford has to have at least one big, impressive, serious classical play a year. 2007- Lear, 2008-Hamlet, 2009-Macbeth, 2010- Tempest, 2011- well, 2011 didn’t have a big tragedy but Twelfth Night was so good and Richard III (in the Tom Patterson) was such a big deal that they made up the difference. In 2012, it’s […]
By now I’m sure you’ve read all about how great Ragtime is and may be expecting me to disagree. I’m not going to. In fact, I’m going to pile on . No hyperbole here, I promise… Ready? Okay: I have literally never seen one of the festivals (Shaw, Soulppeper, Stratford) pull off a musical nearly […]
I was pretty sure Elektra would be my least favourite thing at Stratford this season. I’m not big on the Greeks (not that I’m against them, they’re just a tough sell and almost always directed by crazy people who want to make everything into a Very Meaningful Movement Piece). I’m most certainly not someone immediately […]
Would someone please explain to me why His Girl Friday is a play? I get adapting plays into movies, and I even get adapting movies into musicals (so long as the songs are original), but a movie into a play? Chances are there’s no improving on the performances in a movie iconic enough to give […]
The Shaw Festival’s Hedda Gabler is good but not exceptional, and with a text as brilliant as Ibsen’s that’s not uncommon but always a little disappointing. The legendary Martha Henry’s direction isn’t bold. With fairly conventional character interpretations for the most part and little unexpected in emphasis, she lets the actors and the text do […]
It takes ages for A Man and Some Women to get going. I was sure it was the worst thing I’d seen in a long time- what with its affected accents, stiff corsets, slow pace and lack of energy- but the further into the play I got the more I started to like it. By […]