An experience like no other is taking place at the Ovalhouse Theatre. Invisible Treasure has no script, no actors and no plot. Dan Barnard and Rachel Briscoe’s creation focuses on the use of technology. It is an interactive “performance” of sorts where the spectators make up the story. It brings together complete strangers in an […]

 

Frankenstein Live opened last weekend at the Walmer Centre Theatre in the Annex. The script was written by Warren MacDonald, and is a stage adaptation of Mary Shelley’s Frankenstein. There is no dialogue in the book, and so MacDonald notes in a recent interview that his biggest challenge was to imagine the dialogue realistically while […]

Tony Award Winner, Academy Award nominee and television favourite, Angela Lansbury has had a long and illustrious career and Fiona-Jane Weston takes us through the life of the great Dame, in her latest cabaret style production, Looking for Lansbury. The show is a telling of both her professional and personal life, which spans nearly a […]

 

A one-woman show is playing at the Arcola Theatre. It tells the story of Sarai, a barren woman who heard a prophecy telling her to leave her home and create a new nation. While this may seem strange at first, it does not take long for the audience to get swept into the narrative told […]

‘Lights up on Washington Heights’—this adaptation of Lin-Manuel Miranda’s uniquely brilliant, Tony Award-winning musical is an absolute must see for anyone with even a slight interest in theatre.   Set in a diverse but mainly Latino area of New York’s Washington Heights, the musical surrounds a close-knit community of friends and family and introduces us […]

 

A Mamet play is all about the language. Everything you need to know is right there in the half sentences and blustering speeches, the interruptions, the curses, that strange combination of grandiosity and hyper-realism. In the slice-of-life one-act Lakeboat– with the exception of Stephen Macdonald, whose leading performance as a sensitive recruit is marked far more […]

 

Oh, Giuseppe Verdi, how I adore your dedication to stories worth telling. You are, of course, a splendid composer whose soaring melodies and lush orchestrations fly beautifully from the mouths of the COC’s chorus and the bows of its spectacular orchestra (here under the capable baton of Marco Guidarini) but the real reason I love […]

 

Guns and those who flaunt them recklessly are hardly a laughing matter, yet guns are the subject of Dylan Lamb’s serious and seriously funny comic drama Ten Ways on a Gun, currently being presented at Theater for the New City in the East Village. An analysis of behind-the-scenes theater politics as well as the propensity […]