I’m a firm believer that there is room for this kind of thing. I didn’t particularly like it, but I’ll defend its validity until I’m blue in the face because that’s how Shakespeare survives. For this co-production with Why Not Theatre, Stratford has cast 13-year-old Eponine Lee in the female title role. This raises […]
Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Robert Markus singing ‘Waving Through a Window’ was on my Best of the Decade list of outstanding moments in Toronto theatre. His performance as Evan Hansen was not only vocally masterful but nuanced and thoughtful […]
Shakespeare earned the right to phone it in. It was clear that even his less daring and promising works would be feted beyond their merits – anything bearing his name would get the benefit of the doubt when the same script by a lesser or less famous playwright would be passed over. More generously, any […]
If reality TV taught us anything, it’s that there’s little easier to lampoon than the lives of the rich and famous; long before and through the television age, Noel Coward recognized and exploited this wonderfully. His wildly eccentric charm along with his inimitable talent and style made him the darling of the aristocracy whose attention […]
I remain firm in my assertion that Canada’s major artistic directors need to hire musical theatre consultants to help them pick what to produce because their knowledge base and taste level just seem off when it comes to the singing and dancing portions of their programming (just one coffee with Mitchell Marcus per year and […]
Drama is where the Stratford Festival tends to swing for the fences, doubling down on heavy hitting actors playing incredible tragedy on big stages through brutal runtimes. A sampling of the dramatic plays in the 2019 Stratford season reveals some of the festival’s greatest strengths even as the drama gets harder and harder to witness. […]
