The word “ambitious” has become nearly synonymous with Shifting Ground Collective, a small company barely two years into its existence but already more established and productive than a lot of indie companies ever become. Everyone who runs Shifting Ground is young and hopeful, their clear eyes and full hearts guiding them headfirst into the hazardous […]
Eclipse Theatre’s limited run of Sondheim’s Sunday in the Park with George at Toronto’s Jam Factory last March was one of the last pieces of theatre we got to see before the COVID-19 pandemic shut everything down. Thankfully, that excellent production gave us the memory of Tess Benger’s effervescent and thoughtful performance as Dot, which helped […]
Tooting Arts Club’s production of Sweeney Todd at the Barrow Street Theatre is the perfect thing to see this fall: part dark theatrical masterpiece, part haunted house. It’s the most creatively staged production of Sweeney Todd that I have ever seen: the show is set in a pie shop (with fresh pies baked by the former White House pastry […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Hugh Ritchie as Cinderella’s Prince might have been the most perfect piece of casting all year in Toronto theatre. In Hart House’s excellent production of Into the Woods, Hugh combined winking swagger with his brilliant vocal […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Dan Chameroy is a very big deal to me. He’s a big deal to a lot of people in the Canadian musical theatre scene but he’s especially important to me. He’s the first live performer I […]
Little Night Music All I knew about A Little Night Music going in was “Send in the Clowns”, arguably the crown jewel of Sondheim’s canon. It would have been best to leave it that way. It turns out that Hugh Wheeler’s book has none of the subtle ache or bittersweet poetry of the musical’s standout […]
“Master Harold”… and the Boys This South African-set one-act by Athol Fugard takes a long time to get going but, once it does, it’s a gut punch. The idea is that James Daly’s charming brat Hally is super chummy with the two black men who work at his family’s diner (his parents are offstage dealing […]
Three singers, two pianists, and a whole lot of Sondheim—a thoroughly enjoyable evening by the AC Group for the avid or even casual fan of the great lyricist/composer, though this charming production is unlikely to convert any sceptics of his extensive catalogue. Quite remarkably, ‘Side by Side by Sondheim’ was first performed over 40 years […]