Robert & Willie Reale’s musical adaptation of Arnold Lobel’s Frog & Toad books is so deliriously pleasant that I nearly got heatstroke sitting in the uncovered section of its outdoor audience at the Shaw Festival and barely noticed. My cheeks hurt from smiling and I cried so much that it’s better measured by time than […]
For all its traumas and sadnesses, the pandemic was, at the very least, an immensely clarifying experience. With our lives irreparably disrupted and access to so many things denied, it very quickly became obvious how I truly felt about the things in my life that had become routine. My character-defining love of television stood firm […]
In Tennessee Williams’ extensive canon, The Glass Menagerie stands out as the original “memory play”: the work is framed as the hazy recollections of the main character, whose reliability as a narrator is an open question. Williams uses this to issue an invitation to actors and directors to fill in and flesh out those memories as […]
If staging the perfect murder is hard enough, staging a good murder mystery has its own challenges. With all the mischievousness of its main characters, Patrick Hamilton’s Rope dodges those responsibilities by flipping the script: the murder is made in front of us and the motive is the mystery. It’s been a while since thrillers […]
After I saw Brigadoon, the Shaw Festival’s magical staging of a reimagined classic musical, I right away sat down to write about the experience. At least for me, the night I saw it, the mood I was in, Brigadoon was a fully contained theatrical moment about which I had plenty to say. Another staff writer […]
This show hit me straight in the heart. It’s been so long since I’ve been able to say that about a Shaw musical and I’m grinning ear to ear to be able to say it now (also because I literally just left the theatre so the post-musical glow has yet to wear off). Loewe’s love […]
Before we announce the winners of the 2018 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Sarena Parmar wrote Outstanding New Play nominee The Orchard (After Chekhov) based in part on her experience growing up on an orchard in British Columbia. The Cherry Orchard adaptation had its world premiere at the […]
Before we announce the winners of the 2018 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Outstanding Supporting Performance in a Play nominee Shawn Ahmed was so good in The Orchard (After Chekhov) that I couldn’t wait until the end of the play to tell as many people as possible; I tweeted […]