It is not my favorite experience when I watch friends and peers…
For the past five years, I’ve been ranking every film I see- just…
The smaller space at the Crow’s Nest Theatre is a great venue for The Howland Company’s production of Punk Rock, a show that inspires both admiration on a production level and some low-burn consternation. The play starts out as an ordinary story about several teenagers in a small British town: in the first scene we […]
Thom Pain (based on nothing) (Theatre By Committee)…
This week, the coronation of the Vixen as one of the greatest pieces of casting in recent Drag Race herstory continues, and I am so thrilled. The Vixen takes visible pleasure in calling out queens (specifically, so far, Aquaria) for their hypocrisy, shadiness, and even potential racial bias, which she touches on briefly in Untucked. […]
We live in a time of burgeoning awareness of the importance of diversity in our cultural storytelling. Productions like Hamilton, movies like Black Panther, and Oscar speeches championing ‘inclusion riders’ all serve as bellwethers for proof of the commercial success and cultural value of racial and sexual diversity. And yet, as much attention is rightfully being […]
I regret to inform you that advantagegeddon 2.0 is impending, and it’s spelling doom for all those who were not handed an advantage on Ghost Island or willing to toss out their social game in favor of idol hunting. Three advantages were found in this episode, as well as a lot of footage from iconic […]
Last Thursday I had the privilege of attending Finding Wolastoq Voice, a collaboration between playwright and composer Natalie Sappier -Samaqani Cocahq of Tobique First Nation and dancer/choreographer Aria Evans (Mi’kmaq/Black/British). Finding Wolastoq Voice is a Theatre New Brunswick Production presented by Native Earth Performing Arts as part of the Niimi’iwe: Indigenous Dance Showcase. The […]