Why Shakespeare in Action not only mounted The Diary of Anne Frank last year but is RE-mounting it now at the Al Green Theatre through March 24th is beyond me. It’s an excellent production of a well-constructed play presenting a profound true story, but they’re a Shakespeare company presenting a Holocaust play- it just feels […]
SpeakEasy Stage assembled an amazing 2011-2012 season; kudos to Paul Daigneault, Producing Artistic Director, and the rest of the SpeakEasy crew. The highlight of their season for me was their current production of Next to Normal, a show that swept Broadway by storm a few years ago and continues to reverberate through the theatre […]
I appreciate when theatre companies aren’t afraid to tackle the tough topics. Last weekend, I had the pleasure of seeing two brash and honest plays by Heart & Dagger Productions. Beyond the Light is a new play by theatre “jack-all-trades” Joey C. Pelletier. His venture into playwriting is rewarding for both the company and the […]
Can you believe that I’ve never seen West Side Story? Yeah, neither can I. I am a professed Romeo and Juliet fan and a sucker for faux-macho choreo, so I knew I couldn’t miss Turtle Lane Playhouse’s newest production of the ground-breaking American musical by Arthur Laurents and Leonard Bernstein (with some lyric help […]
My mother is a very nice woman. She’s lovely, really, and everyone who has ever met her in the history of her existence on earth likes her because she is very nice and very lovely and generally crafts her life in a way that will produce as much happiness as possible. My older brother is […]
The Lorax is one of my favorite Dr. Seuss stories. It’s a morality tale, a sort of new-age parable about appreciating what you have and taking care of what you’ve got. It is not as anti-industry as it is pro-practicality. It’s modern economical ethics for kids with rhymes. The 2012 film adaptation takes this core […]
Here’s the fun thing—I go to a lot of theater, but I’ve never been to the Opera. Not once. Which, if I was any other average 20-something, would not be weird at all. But I’m me, so it was sort of weird. So I was lucky enough to get to see the Boston Opera Collaborative’s […]
Walking into The Young Centre‘s Michael Young Theatre from the over-crowded lobby (on nights that feature Seeds alongside Long Day’s Journey Into Night in the Baillie, there’s an extreme claustrophobia leading up to the shows but, much more notably, during the simultaneous and thus wildly unpleasant intermissions), the set of the fantastically popular Montreal import […]