I’ve always liked to believe you can tell a fine play by its title. In this case, playwright Jordi Mand has ingeniously chosen a seemingly ordinary one which, in actuality, alludes to the electrifying secret that propels the story forward in this head-to-head dispute between Marion (Susan Coyne) and Teresa (Christine Horne) about what really […]
With found footage movies on life support, writer and director David Ayer hopes to reanimate the genre with his first-person buddy cop action film, End of Watch. Having written Training Day, Mr. Ayer certainly had the street credentials for the job, but his flashy and ornate homage to the television show Cops, the original forbearer […]
Cymbeline is the production I’d been waiting to see in Stratford all season. It’s really good Shakespeare. That’s what Stratford does- really good Shakespeare- and I think it’s telling that most of the really good productions this year aren’t that. There are quite a few good musicals, one decent Shakespeare, and one that’s close to […]
If you’re going to see Nicholas Jarecki’s high finance thriller, Arbitrage, make sure to bring an Economics major with you. For one, he or she could tell you what ‘arbitrage’ means and how it applies to the film, and, for two, they can help you follow the serpentine and occasionally muddled script. Unlike 2011’s Margin […]
Stratford has to have at least one big, impressive, serious classical play a year. 2007- Lear, 2008-Hamlet, 2009-Macbeth, 2010- Tempest, 2011- well, 2011 didn’t have a big tragedy but Twelfth Night was so good and Richard III (in the Tom Patterson) was such a big deal that they made up the difference. In 2012, it’s […]
By now I’m sure you’ve read all about how great Ragtime is and may be expecting me to disagree. I’m not going to. In fact, I’m going to pile on . No hyperbole here, I promise… Ready? Okay: I have literally never seen one of the festivals (Shaw, Soulppeper, Stratford) pull off a musical nearly […]
I was pretty sure Elektra would be my least favourite thing at Stratford this season. I’m not big on the Greeks (not that I’m against them, they’re just a tough sell and almost always directed by crazy people who want to make everything into a Very Meaningful Movement Piece). I’m most certainly not someone immediately […]
Would someone please explain to me why His Girl Friday is a play? I get adapting plays into movies, and I even get adapting movies into musicals (so long as the songs are original), but a movie into a play? Chances are there’s no improving on the performances in a movie iconic enough to give […]