Click Here for a full list of our 2022 Toronto Fringe reviews. Gay for Pay with Blake & Clay (A-) In Gay for Pay, noted gay actors Daniel Krolik & Jonathan Wilson play less noted gay actors Blake and Clay who are teaching a seminar to straight actors aspiring to play gay roles. It’s […]
More reviews from the Toronto Fringe Festival! Featuring Sketch T-Rex,
The term “jukebox musical” is used to describe two completely different types of productions. It’s a general label thrown onto anything that uses pre-existing songs instead of original music and is thus very often misapplied to biographical musical plays like Jersey Boys or Beautiful where all the music is diegetic. In this context, I completely […]
Click Here for a full list of our 2022 Toronto Fringe reviews. There are, generally speaking, two types of truly great Fringe productions. The first is a perfectly executed version of something designed for a Fringe setting- really impactful solo shows, hyper-timely parody, brilliant sketch, that particular type of indie new work that thrives […]
Click Here for a full list of our 2022 Toronto Fringe reviews. Sleeping, Tucked in the lonely Purple (B+) Conceived and choreographed by Yvonne Ng, this tender three-hander is a lovely inquiry into what we don’t hear when we stop listening. The choreography is simple but evocative, performed beautifully by a trio whose dance […]
The return of the in-person Toronto Fringe Festival is something I’ve been looking forward to pretty much every day for the past two years. Over the course of 8 days, I reviewed 40 shows. Click the titles below for the full reviews. In Alphabetical Order: 2 Robs, 1 Cup: What Happens When You’re […]
Likeable but slight, Love Quirks at AMT Theatre is little more than a tease. Despite spirited performances and several successful numbers, Love Quirks frustrates due to an under-baked plot and inconsistent vision. Love Quirks is the story of four thirty-somethings who live (mostly) together in New York City, navigating heartbreak, sex, and the nuances […]
Nearly three full hours, consisting of very little plot yet somehow lots of plot contrivance and noted mainly for its extended bursts of tiresome moralizing, Too True to be Good is quintessentially Shavian in a way I find hard to love. It’s so typical that there’s almost a strange comfort in its inclusion in this, […]