Comedy sequels are a tough bunch. The road is littered with sequels that tarnished the beauty of their original – Legally Blonde 2, Miss Congeniality 2, Being It On Again. Never is that more true than in the surprisingly good film, much like the above three, that exceeds expectations by being both female-targeted and on […]
Claudia Dey’s well lauded but suspiciously neat backwoods fairytale is an intriguing but flawed examination of co-dependence on its own but director Daniel Pagett does something directors rarely do with fairly new texts in the current production by new indie company Severely Jazzed Productions- he messes with it and, in doing so, he makes it […]
Created by Why Not Theatre, The RISER Project is a new initiative that pairs established companies with emerging artists to share resources and make producing indie theatre just a little bit easier. The inaugural RISER season is taking place at The Theatre Centre with two shows already wrapped and another two currently on stage. […]
As I walked out of Ballad of the Burning Star Tuesday night at the Theatre Centre, I ran into a friend walking into another show (Burnish, I believe). When he asked what Ballad was about, I said, with a kind of syncopated energy: “well, it’s a devised theatre piece, but it’s also very movement based, like […]
Mad Max: Fury Road is a shot of adrenaline in the heart. It’s jolting from start to finish – with guitars that shoot fire and mutants who steal blood and cars with spikes and a dystopian world so dark it makes other dystopias look rosey by comparison. It has a plot that can best be […]
This recap series has been dedicated to one thing, detailing the events leading up to last night’s episode. From the moment a television show takes off the conversation about the finale begins to dominate the headlines. We read into the subtext, the minutia, trying to glean any insight into what makes these people tick and […]
Playwright Stephen Adly Guirgis’ bold dismantling of the betrayal of Jesus envisions a purgatorial world known as “Hope” where even the most easily damnable deserve consideration and possibly even salvation. It’s a hugely ambitious play with a massive cast of characters- gods and saints and devils, icons and angels and people- an anachronistic allegory that […]
