I realize that the title of this piece may be a bit misleading. To “bash” something, at least in my line of work, is to pan a production so aggressively that you run the risk of being pulled from the comp list. Luckily, Shakespeare Bash’d and I are not in the same line of work. […]
I am finally read to say it: I love Trevor Noah. The most remarkable part of all this is that The Daily Show, with its new host, remains The Daily Show. It remains a tiny voice of acerbic sincerity in the midst of a sea of politics and media. It remains witty and passionate […]
Banana Boys (Factory Theatre) I’m loving the Naked season at Factory. The text-centric, stripped down approach the company is taking to all the pieces in their so-far-so-good fall seasonette is spotlighting great performances, inspiring directorial creativity and refusing to let great texts get overshadowed by trappings. Banana Boys is the perfect example of what’s so […]
Not since 1605 has Guy Fawkes night brought the British government so close to destruction than on this past November 5.* Parliament was dissolved. The monarchy was threatened. The United Kingdom lay on the verge of total collapse. At least, that is the reality that played out on the Music Box Theatre stage in Mike […]
Written and performed by Sarah Thorpe, Heretic is a modern retelling of the story of Joan of Arc. Currently at the Theatre Passe-Muraille Backspace, this Soup Can Theatre production is a remount of an earlier version that Thorpe helped to produce last spring. In the programme, Thorpe tells us that the show was inspired […]
I know everybody’s really into the UK 6-episode TV model but there is no world in which I’m happy that Together, BBC3’s charming, strange, hilarious, heartwarming little gem lasted a total of, what, Two Hours once you factor in commercials? Why not just make a film and be done with it? I wanted to live […]
There’s something really special happening at the Theatre Centre right now. Actually, there are two (soon to be three) special things happening at the Theatre Centre right now. They are the productions that make up Why Not Theatre’s latest theatrical experiment and I can’t say enough about them, or it. The November Ticket is […]
Edmond (The Storefront Arts Initiative) In David Mamet’s bleak one-act Edmond, nearly every actor plays multiple roles. Director Benjamin Blais has his large, diverse cast nearly omnipresent and in perpetual motion, creating a swirling, oppressive crowd through which Tim Walker’s frantic Edmond has to constantly fight to make his way to each of the 23 […]