The Archivist as a title for a performance piece suggests an exploration of a reserved, organized and knowledgeable figure. It can also suggest someone with a degree of detachment from the material they are curating; when I think of archivists, I think of slightly senior employees who labour away in the bowels of an institution, […]
The best thing about John Carney’s latest musically saturated film is the music itself (some classics like Duran Duran plus quite a few originals). The plot is fairly tired (teenage misfits start a band to impress a girl) and the characters fairly conventional (troubled bad girl, disillusioned big brother) but the music, boy, the music […]
In an election year that has redefined crazy, at least the stage provides some refuge from politics. Well, at least until I found out I was seeing Primary. Et tu, theater? Et tu? Primary, written by Gracie Gardner and directed by Alex Keegan, won the annual Project Playwright Competition, where scenes from a handful of […]
Annie Baker’s The Flick is of a radical theatrical style; it is new and maybe even profound. This is lofty description but it is a rare and wonderful thing when a play’s best moments consist in the absence of dialogue. With director Sam Gold and cast, Baker creates a genuinely new mode of storytelling. Undoubtedly, […]
Heather Litteer is not a stripper or a prostitute or a junky who will go to any length to score a fix – but, as she explains at the beginning of her new play Lemonade, she plays one on television and in films. Litteer’s autobiographical play explores her disappointing type-casted acting career as a sexualized […]
We Three is a collaborative new work by Sarah Illiatovitch-Goldman with a clever title inspired by the Henry V speech a character passes off as “a poem she wrote”; a speech about brotherhood forged in shared experience and unshakeable as years pass. If only the bonds between modern women were as simple as those between Shakespeare’s soldiers, […]
