A Series of Unfortunate Events continues to delight with “The Reptile Room”. While this adaptation of the second book of the series was fun, some pacing issues and gaps in logic made it a little less solid than “The Bad Beginning” parts 1 and 2. *Spoilers ahead* Much of the success of “The Reptile Room […]
Beau Brummell, if you aren’t acquainted with this name, was one of the first “celebrities”…
La Ronde is about sex. It’s about the anticipation, the aftermath and the desire of sexual acts. If you walk in without knowing this, even the most open minded of audience members will wonder why the actors always seem to be taking off their clothes ready to pounce on one another in bed. Written and […]
This is a big thing to say considering the consistently critically beloved status of Toronto’s Coal Mine Theatre since its bombastic debut with The Motherfucker with the Hat back in 2014 but I’m pretty confident that Superior Donuts is the best thing the Indie 2.2 company has ever produced. At least it’s my favourite. Tracy […]
Blue Remembered Hills (Good Old Neon) This dark, unpleasant, uncompromisingly strange piece of physical theatre is born out of a British teleplay in which a group of children play and torture each other, as children do. The children are meant to be played by adults but director Nicole Wilson has fully grown the characters up, […]
*Full spoilers ahead* My very first play through of Cowardly Creations’ Uncanny Valley lasted about fifteen minutes. The game immediately warns you that every action will have consequences and that multiple play throughs are recommended in order to fully experience the game, so I was already on edge. When my hapless security guard character Tom awoke […]
At this point, Kim’s Convenience hardly needs an introduction. Having toured nationally, with multiple remounts, and having been turned into a CBC series (it’s just been renewed for a second season), this summer Ins Choi’s play will head to New York City for its U. S. Premiere. But for now, it’s back at Soulpepper. The […]
Currently on tour, Taking Flight is a selection of three plays, chosen as the winners of a competition that aimed to produce pieces by first-time playwrights from within the British East Asian, South Asian, and Southeast Asian communities. Obviously, the politics of the aim can’t be ignored: that there is something particular about British-Asian (or […]