I know, I’m as surprised as you. But listen, I enjoyed Magic Mike XXL (the original Magic Mike too but it was less fun and wanted to be too many things) and every once in awhile I get a weird 4am burst of personality-abandoning “to hell with it” courage and decide to do something truly […]
This dance-opera conceived and designed by co-directors Michael Greyeyes and Yvette Nolan and librettist Spy Denommé-Welch investigates the emotional history and contemporary cultural significance of Canada’s residential school system. The production itself is multi-faceted, combining orchestral music, a choir, opera, and modern dance. The story divides into three movements: in the first, the dancers enter […]
Cavalia’s performance of Odysseo has returned and hardly needs an introduction. The show teases prospective audience members with the promise of galloping horses, flowing manes, impressive circus feats, and magic. And honestly, it does not disappoint. The company, founded in Montreal by Normand Latourelle boasts the world’s largest touring company and tent, as well […]
After an exemplary first episode, Telltale stumbles a bit on the second, delivering an interesting, if somewhat less polished chapter in their Guardians tale. *Full spoilers follow* Having last left our heroes with Star-Lord having returned from the dead, thanks to our trusty McGuffan The Eternity Forge, we are thrust immediately into a space escape, […]
Adorning Shakespeare’s Globe theatre’s ornate and columned stage loom two large blackened missiles directed toward the soggy groundlings who are fighting the rainy elements on the day of this performance. This is my first play experience in the classic Globe and what better play to to take in than Shakespeare’s iconic story of teenage star-crossed […]
Dear Eleanor, written and directed by Estelle Girard Parks, premiered for one night only at the Kraine Theater. It billed itself as a murder mystery halfway between an Agatha Christie novel and Neil Simon’s Murder by Death. Unfortunately, it lacked the cleverness and intrigue of a Christie novel and the wit of a Simon play. […]
The Royal Court’s associate designer, Chloe Lamford, got five writers ‘exploring performance through language, physicality and the power of the imagination’. They wrote a piece each. I caught two of those. I’ll be writing this review in past tense because the plays were on for three nights, and I wanted time to think over them. […]
